Alas, some of the planned interviews aren’t featured at all…and what is most annoying here, is the very fact a number of people DID promise to answer our questions and then they just bailed…like Yosuke (NWN) who has, again, showed how much he truly supports the underground. I was also hoping to get my questions answered by Inferno (BEHEMOTH). It didn’t happen either. Well, if you talk the talk, walk the walk…yet, still, Armando from MYSTIFIER is my biggest disappointment.
He has allegedly been an ardent fan of SARCOFAGO; at first, he was very enthusiastic about the whole idea and so on. But in the end, I wasted a couple of months trying to get his answers sent over to me. C`mon guys, this sort of behaviour is lame as fuck. I spent a lot of time and energy working on my questions, to make them as interesting as possible, and the interviewees have just tossed those questions out. Well, fuck off to you!
Special Thanks
Cristiano Passos, Paweł Wojtowicz, José Luis Cano Barrón,Mariusz Majchrzak, Michał Hęciak, Wagner Antichrist Moura Lamounier, Gerard Incubus Mineli- SARCOFAGO, Josué Soares da Silva Júnior-BODE PRETO, Irn -GREYHAZE RECORDS ,ROCK BRIGADE,METAL MAGAZINE, Zeder Butcher Gonçalves do Patrocínio ex -SARCOFAGO, Charlie Curcio,Armando- ex SARCOFAGO/ HOLOCAUSTO , Manuel Hemriques- UGANGA, ex SARCOFAGO, Fabio Ihzsko- ex SARCOFAGO ,Rcicardo Neves -MUTILATOR, CHAKAL ,Zhema Rodero -VULCANO, Rua Luzitana- EVILCULT
Black Sin and Damnation- GRAVE DESECRATION, Regener Fortes-PANIC, Valério "Exterminator- WAR METAL HOLOCAUSTO Paweł Kaczyński, Przemysław Bukowski, Wanderley Perna -GENOCIDIO, Armando Pereira -MARQUEE RECORDS, INTO THE CAVE, Reinaldo Resan-INSULTER, Luiz Carlos Louzada- GOAT NECROPSY ,Johannes Chan- DESTRUKTION RECORDS ,Rodrigo --HELLAVENGER/ABISMO RECORDS)
I would like to thank all who have helped us create this very issue of Oldschool Metal Maniac. Without your help, this A Tribute to Sarcofago would never become a reality.


Well, early next year, we plan to start working on “A tribute to BATHORY part II”. This`ll be the 25th issue of our Oldschool Metal Maniac Magazine.
We do want this issue to be as unique as possible and therefore we shall focus all of our efforts and energy on this very subject.
So, don’t be surprised to see our activities limited to our website only (www.oldschool-metal-maniac.com).
Before the end of 2022, you can expect A tribute to SARCOFAGO (in September, 160 pages of pure cult, in English) as well as another issue of OMMM (in Polish) in Novem

Poprawiony (wtorek, 30 sierpnia 2022 16:35)


MORBID INSANE- Sicken Crazy/No Future Coming Soon 2022



 Well, if any of you guys have got any interesting stuff related to BATHORY and you feel like sharing this with us, please email us right away. We are looking for any reviews, interviews, articles and so on… dealing with BATHORY and which aint featured in “A Tribute to Bathory part I”.
In other words, the more stuff we get, the more Part II will feature in result.
And trust me on this: we want this part II to be at least as awesome as part I.
Any help will be very much appreciated.

Oldschool Metal Maniac # XXIII A Tribute To Sarcofago Coming Soon 2022


RISEN PROPHECY- Into The Valley of Hinnom CD Metal On Metal 2015

Another gem from the Italian label Metal on Metal. UK`s RISEN PROPHECY is back, after five years, with their second full length album. This is one of the more interesting bands this label has to offer, the label which has a good eye for valuable bands. And RISEN PROPHECY is a valuable band, for sure. It is dynamic thrash metal with a lot of Power influences. Boss Oliver`s powerful guitars keep as amazed again and again, cutting with their razor sharp riffs; solos are just breathtaking, the sound is just overwhelming. Plus, a very distinct vocal turns this material in a really explosive mixture. So the outcome is like this: a very interesting piece of music. And the music from “The Valley of Hinnom” is, indeed, unique. Here, you may find unusually complex songs, it all is perfectly balanced, and every single element is well hearable. The self-complementing instrumentarium of every band member is definitely noticeable. the rhythm section of Ben Olivier Bass and James Chalton is this album`s fuel. It all sounds very clear yet still filthy and rough. Too, Dan Tyren`s powerful vocal is this album`s bright point. There are no weak points here in this album, it all is just super tight and compact. The songs` amazing atmosphere is abundant with different moods. There are some calm moments, and there are some really wild ones. These 36 minutes of music is not enough, really. We need more. this stuff for maniacs into ICED EARTH, FORBIDDEN or UK`s SABBAT. Yeah, RISEN PROPHECY is cleverly influenced by these bands and they do not copy them mindlessly, oh no! Keep an eye on this talented band as they`ll show you again what they`re capable of! LWS

Poprawiony (piątek, 25 września 2015 10:44)




Well, the very fact that PROTECTOR has always been very popular among their ardent fans here in Poland is simply undeniable. Thus, it comes as no surprise that it was awesome news when PROTECTOR`ians resumed their music activities 12 years ago, I will tell you time flies by, indeed. And they have released a number of awesome albums since their resurrection which can easily be considered as good as their classic stuff – “Golem” or “Urm the Mad”. Their full length “Excessive Outburst of Depravity” from 2022 is a good example of what good music is all about and that was the very reason why I decided to ask Martin Missy to have a little chat. Ladies and gentlemen – enjoy.

Hello Martin, how are you and how was your new year`s party? Hope this is going to be a good year for PROTECTOR, what do you think?

- Everything is ok here. My family and me spent Christmas and New Years Eve at my sister’s place in Germany. During this visit I also had the opportunity to go to a Sodom / Darkness show in Andernach. I think this will be a good year for Protector, although we will take it easy in the first half of 2023 (our guitarist and Drummer became fathers last year and need some time off with their kids). In September we will play one gig in Sweden and two gigs in Germany. And in November we'll play in Poland (Gdansk and Katowice).

Yes, undeniably, “Excessive Outburst of Depravity” has been out for some time, but this is the latest stuff authored by PROTECTOR. So, let us chat about this album a little as this full-length recording is one of PROTECTOR`s most interesting, in my view. A truly massive, awesome piece of music – these songs have literally bulldozed me into the ground!

- Thank you! I also think that we did a really good album this time. Personally, I think it is the best Protector album since the resurrection of the band in 2011.

“Reanimated Homunculus” was out back in 2013. I will tell you I am still surprised how good this album turned out to be; and bearing in mind PROTECTOR took a very long break in their career, right? Although you returned with a brand-new line-up yet the sound and style of yours is totally similar to the one we know from the “Golem/Urm the Mad” times. Man, I would say that all the stuff created after you reactivated PROTECTOR appears to be some sort of “lost recordings” from the “GOLEM” era. Dude, simply it is hard to believe this was recorded just in 2013. I would say you are one of the very few who can do it right, congratulations.


- Yes, I am also very pleased with all the albums we have recorded since 2013. I am incredible fortunate that I can play in a band together with three musicians that love old school Metal, and who can write songs that sound much like our albums from the 80s.

The album was recorded at Studio Humbucker in Stockholm and the session was split in two parts. Patrick W. Engel took care of the mastering. You have cooperated with this guy before, correct? Can you please elaborate on this session a little bit?

- Well actually it was just one session. Calle started with recording the drums, then Micke recorded the guitar and Matte the bass. After that I entered the studio and did the vocals. The sound engineer Robert Persson then sent the files to Patrick W. Engel who mixed and mastered everything. On our previous three albums he had done the mastering only, but this time we let him manage the mixing part as well. And I think the result became really cool and old-school.

Let us talk about the album`s lyrics. As I can see you are interested in war themes. Which time period is your favourite? The reason I am asking is that, for instance, the song named “Last Stand Hill” deals with the Battle of the little Bighorn that took place in June, 1876 and involved George Custer as well as Crazy Horse and Dakota Indians. Another song that has attracted my attention is “Referat IV B 4” – a very depressing journey to the past extermination camps of the Second World War. Yes, history seems a good source of inspiration yet can be scary at times too, don’t you think? Have you ever been to any former death camps like the one in Auschwitz, for example? I will tell you when you enter the death zone you can feel all the fear and pain….

- Yes, I usually get inspired to lyrics by books, movies and documentaries. History is one of my favourite topics. I had planned to write lyrics about the Holocaust for quite some time. When we played in Poland in 2019 we also went to Auschwitz. I had of course seen many pictures and documentaries about the camp, but when I actually were there, it filled me with both sadness (for all the people that lost their lives there) and anger (against all the persons that were involved in executing this insanity). In the lyrics to "Referat IV B 4" I wrote about all the Germans that organized the "Endlösung" from an office in Berlin. In my eyes they were as guilty as the guards of the camps, that sent the victims into the gas chambers.

“Open Skies and Endless Seas” and “Perpetual Blood Oath” are the homage paid to your Nordic brothers from PROTECTOR, huh?

- " Open Skies..." is about Vikings, correct. That was also a topic I had wanted to write some lyrics about for quite a while. "Perpetual Blood Oath" is my attempt to write some MANOWAR kind of lyrics.

What are your inspirations when you write lyrics? Some movies or books perhaps? Any favourite ones?

- It's especially movies and books that inspire me. The lyrics to "Crosses in Carelia" (from the "Cursed and Coronated" Album) for instance are inspired by the finish book (and movie) "The unknown soldier" by Väinö Linna. "Holiday in Hell" (from the "Reanimated Homunculus" Album) is inspired by the American movie "Deliverance" from 1972. "Stillwell Avenue" (from the "Summon the Hordes" Album) is inspired by the American movie "The Warriors" from 1979. The list goes on and on... :-)

You have been cooperating with High Roller for 10 years now. Can you please tell us a bit more about this cooperation? Are you happy with Steffen and his label?

- Absolutely! High Roller Records has the absolute perfect size for PROTECTOR. It' s neither too big nor too small. The whole staff there is doing a great job, and it is very easy to have contact with them.

In 2019, you took part in a mini-tour together with (reactivated) IMPERATOR and HELL-BORN. How did you like the gig in Warsaw, if I may ask?

- It was awesome! The polish fans were incredible. I still have goosebumps when I think about the loud "PROTECTOR, PROTECTOR" chants between the songs. I'm really looking forward to return to Poland this autumn.

Many fans think that cult bands like PROTECTOR for instance, are busy with music only. Well, it seems that this assumption is not 100% correct, and the movie about ANVIL has shown us exactly what non-music lives of the band members look like. So, please tell us what you guys do or what you are busy with when you don’t play music. I suspect you work and your jobs limit your ability to play live, huh?

- We all have regular jobs. Micke is a car mechanic, Calle is driving a garage truck, Matte is working in a fish factory and I am employed at a hospital in Stockholm. Micke, Calle and me also have families. These are the reasons why we usually only play live about 5-7 times a year.

Well, and talking about live shows, how about 2023 in this context? Hope you won’t forget your ardent fans here in Poland, huh?

- We will return to Poland this year. In November we will be playing one show in Gdansk and one in Katowice (not in the Spodek this time though, hehehe).

And I will tell you there are plenty of awesome fests here in Poland that you should include in your live show schedule! Like Black Silesia in Byczyna, Summer Dying Loud in Łodz, Mystic Fest in Gdańsk and so on. Martin, tell me if there is any chance to see you guys at any of these fests this year, huh?


- I am not sure if the two gigs I mentioned are part of a festival, or if they are regular club shows. We will see.

I need to ask you about your line-up. Most of PROTECTOR`s members are Swedish. So, let me ask about BATHORY… as I can see - now and then, there pop up some BATHORY tee shirts, BATHORY`s debut album that you are holding in your hands…Well, BATHORY seems pretty important to you, right?

- Of course, BATHORY is an awesome band. They were one of the first to play really aggressive and brutal Metal. They were not a big influence to us in the 80s (that were bands like POSSESSED, SLAYER and SODOM) but we all love BATHORY albums, at least the early ones.

Most fans are into BATHORY`s first four albums; as well as, perhaps, “Hammerheart” and “Twilight of the Gods”. What is your opinion about BATHORY`s later albums like “Requiem”, “Octagon”, “Blood on Ice”, “Destroyer of The Worlds”?

- I have to admit that I am not such a big fan of the later albums. I like the brutality and aggression of the first albums more.

Have you ever met Quorthon personally? If yes, what kind of guy was he?

- No, unfortunately I never met him. I have a friend here in Stockholm who used to see him at the football matches of AIK Solna, but also, he never spoke with him.

Your first BATHORY`s album ever? And how did you like what you heard on BATHORY`s debut album?

- Our DRUMMER Michael had BATHORY`s debut album, so it was at his place I heard it for the first time. I liked the album right away and I was really proud when I found out that the band was from Sweden.

Paradoxically, the COVID times benefited bands in a sense they could focus more on writing music rather than playing live. Well, indeed, your “Excessive Outburst of Depravity” was released not a long time ago, but please tell me whether you guys are currently working on any new songs? What’s cooking, in other words?

- We have two songs that weren't finished in time to end up on "Excessive Outburst of Depravity". And Matte and me have written one more song each. Matte is picking up the guitar from time to time to write new riffs. We will see when we'll have enough songs ready for a new album.

Well, time to wrap up, I think. Thanks a lot for your time. Anything to add for our Polish fans of PROTECTOR? The floor is all yours. Hope to see you playing live in Poland this year!!! Regards. Leszek

- I would like to thank all our Polish fans for their support. Together with Germany and the Czech Republic, Poland is the country with the biggest PROTECTOR-stronghold in the world. And Thank you for doing the Interview with me, Leszek! Stay Metal everyone!


Poprawiony (piątek, 20 stycznia 2023 16:41)


FAÜST Interview

Ladies and gentleman, this is FAUST. Well, after this year`s Brutal Assault edition, I decided to have a little chat with them, a truly enjoyable band from Czech Republic as they`re surely are. Read on.

Well, I won’t deny this year`s Brutal Assault edition was the first time when I heard your music. That was a good show, no doubt! So, let’s start the interview, shall we?
Kryštof: Thank you! Let’s dive right into this, kurwa!
You guys formed FAÜST in 2020…but your music oozes of old, archaic 80s vibe, all right. Why did you choose this primordial kind of old school metal?
Kryštof: Well we formed the band already in 2014 under a different name though. First we were called “Coldblooded Fish” and had two different members than we have now. And back then we all loved thrash metal in all forms, so we wanted to be part of it too. Then in 2018 we released our full length album called “Malvarma” under the shortened name “CBF”, but 2 years later, we finally realized that the name isn’t working, so we decided to change it and with it we also started to play more dirty, blackened/rock’n’roll-ish/punk-ish thrash metal.
Well, before the internet era, there were many bands who shared the same name. Like SLAYER, NECROPHAGIA, NIGHTMARE, HOLY DEATH to name but a few. Kind of uncommon these days, huh? So, the question is why you chose this quite popular band name since there must be at least 8 other FAUST`s out there? So why FAÜST? Was this Johann Wolfgang von Goethe`s tragic play of any importance to you when picking the very name?
Kryštof: We picked this name because me, Jenda and Honza were born in a maternity hospital, which is 2 blocks away from a building in Prague that is called a “Faust’s House” which is tied to a Prague legend very similar to the Goethe’s play. And yeah of course we looked at metal-archives and found that there are like 14 other bands called Faust, but no one had the umlaut above the U in the name, so we are distinguished at least by that haha.
Rudolf II, count of Habsburg (who ruled Czechia in 1576-1611) wasn’t too fond of the Roman Catholic Church. He, at some point, renounced Roman Catholicism and perhaps that’s why he opted to be surrounded by enlightened people at his court including astronomers, astrologists, magicians and alchemists. He was also interested in sorcery…and there were more persons like him in your (Czechia`s) history. Is this person inspirational in any way to you guys?
Kryštof: Not yet, but he might be in the future. This definitely seems like something I would be interested in making lyrics about.
You hail from the city of Prague, which is considered the world`s capital of occultism by many people. Does it have any meaning to you?
Kryštof: The history of occultism here is very interesting, but I haven’t given it much interest so far.
Devil and metal music are a truly explosive blend, aint it? This sort of music is really charming and can possess its listeners really easily. And this is why I can sense this devilish element in your speed/thrash music, huh?
Kryštof: I don’t think it needs to be connected with the devil so be charming and easy to catch the eye of the listener, but it definitely still works well with it. More the music sounds evil, the more devilish it can get. People can take it any way they want and if they want to praise the devil with it, then by all means, go for it.
As I can see you like CELTIC FROST, BATHORY and DARKTHRONE. You have their tee shirts, you play their cover songs live (like Into the Crypts of Rays by CELTIC FROST at Brutal Assault). How much are you guys inspired by these bands? What bands/albums do you listen to on a daily basis?
Kryštof: We all listen to something a bit different, for example Jenda (bass player) enjoys listening to grindcore/noise/crust and many more, I listen to heavy metal/thrash/punk and whatever I find interesting. On a daily basis right now at the moment I listen to a band DOOL which I found on Brutal Assault and I love their gothic rock/metal vibe.
Ok, this year your “Tinnitus Inquisition” was out through Witches Brew from Germany. Can you please elaborate on how this album was composed, rehearsed and recorded? How many days did it take you to get it recorded and mixed? What studio did you use?
Kryštof: The writing for the album started in the early 2021 mainly with the joining of Teodor to the band and we still were finishing up some lyrics to 2 songs when we were already in the studio in the first week of August 2021. Rehearsing the songs was sometimes a bit difficult, cause in our rehearsal room we can’t hear every little detail everyone plays, so we had to play one song the whole day so get it right. Which gets annoying even after the second time you play it in a row. But in the end it’s always worth it. Anyway the studio we picked was Hellsound Studio, which we already recorded in our previous album “Malvarma”, that came out under the CBF name. And I believe it took only 4 days to record and then maybe about a month for the mix and master, which was done by the same guy from the studio Honza Kapák (Bohemyst, Gride, ex-Master’s Hammer)
At this year`s Brutal Assault fest, there were plenty of good bands to watch. Which ones did you like most?
Kryštof: I personally enjoyed Mercyful Fate, D.R.I., Pentagram, Dool, God Mother and Hentai Corporation the most.
Where and when is FAÜST going to play live in order to promote “Tinnitus Inquisition”? Poland perhaps?
Kryštof: We actually just finished our little tour which took place in Warsaw - Poland, Dresden - Germany, Budapest - Hungary, Bratislava - Slovakia and Kovanice - Czechia, so we are getting back into our normal lives right as we speak, but we will be touring around Czech on the weekends until the end of the year. You can see our upcoming shows on our facebook page for sure!
Ok, time to wrap up, I guess. Thanks a lot for your time. Good luck with your shows and I do hope fans will enjoy and appreciate your Tinnitus Inquisition.
Kryštof: Thank you so much, we wish you well in your life and thanks to anyone who finished reading this! Cheers & Beers!!


Poprawiony (niedziela, 18 września 2022 12:29)



What I am holding in my “eternally yearning for metal music” hands right now is Italy`s BARBARIAN`s brand new album (“Viperface”).This is a full-length release with plenty of devilishness in it. Man, this stuff messed me up a lot so it comes as no surprise I decided to chat with BARBARIAN`s frontman – Borys Catelani. Ok, lets don’t waste our precious time no more. Ladies and gentlemen – this is BARBARIAN!



Hi Borys, well, first off, before we talk about other things, including your new album, please tell me how you liked your stay in Poland? You have been to Poland before, right?
Hey there! It was great, I’ve met a lot of friends, visited some nice museums, the Four Domes Pavillion and the National Museum in Wroclaw, the Nowa Huta Museum and the Czartoryski Gallery in Cracow, and most of all the Beksinski show in Nowa Huta Cultural centre, that was simply amazing! Yes, I’ve been to Poland many times, I’m born and raised in Italy but my mother is Polish. I’ve spent all my summer holidays till the mid 90’s in Wroclaw, so I can speak Polish (maybe not the most correct one) and I’m familiar with the so called old times of the PRL. I’ve been actually introduced to metal in Poland. Since I was living in a tiny village in the middle of nowhere in Italy, it was paradoxically easier (but also way cheaper for me) to get music in Poland. I’ve spent a lot of money at Melissa, for those who remember that store in Wroclaw. I used to have tons of those pirate Polish tapes. I remember also meeting kids that would end up in bands like Thy Worshiper and Graveland years later.

“Viperface” is your album number five. And the third album released through Hell`s Heabangers. How’s the cooperation with this label going? All`s good? Would you change anything if you could?
It’s just perfect. They are doing a great work promoting Barbarian. I think we couldn’t land on a bigger label as far as our music goes, and it’s a honour for us being on the same label with bands like Deathhammer, Acid Witch, Bat, Midnight (well, they moved to Metal Blade). We trust each other and that’s the kind of thing the metal scene needs.

Is “Viperface” going to be pressed into vinyl as well? The cd is available now, same for the tape version, right?
Sure thing, the usual delays have pushed the vinyl to the end of 2022, and the tape version is due any time. Analog formats are mandatory for me, they are the ones I’ve grown up with.
Well, I will tell you that when I listen to “Viperface”, I ask myself this question: how difficult/easy is it to compose the kind of music which has this particular vibe we actually experienced 30 years ago?
Even more than that. I’ve grown up listening to 80’s metal. First it was Metallica, and then anything more extreme, then classic metal, and so on. Metal has been game changing, I wouldn’t be what I am now without it. I could say the same about punk, that I met shortly after (again a Polish friend). Well, I’m a music-addict, my house is exploding with records, many different kind of music, but yeah, metal is metal! So, back to your question, it runs in the veins, it’s just the matter of letting it all out, and since I’m old, it’s old school metal that flows out.

I suspect you guys listen to a lot of old-school music yourselves and in result this is why your stuff is so suffused with this archaic vibe, huh? Your latest album is so much inspired by early classic doings by RUNNING WILD and CELTIC FROST, yeah. Is this a pure coincidence or not? What are your main inspirations as for genre’s classic albums?
Exactly! Our early stuff was totally influenced by HELLHAMMER/CELTIC FROST. Then little by little a lot of other influences have started to creep out, old heavy/speed like RUNNING WILD for sure (first two albums), but also 80’s MANOWAR, IRON MAIDEN and JUDAS PRIEST, VENOM (first three albums), mid-period BATHORY, early METALLICA (both Kill’em All and Ride The Lightning). They are classics for a reason. I think that the good thing about Barbarian is that we blend a lot of influences, the thousands and thousands of records we’ve been costantly listening to have left their trace. But it’s not an incoherent blend, it’s all mixed and let out in our personal style. It’s funny because in many reviews we’ve been compared to a whole lot of different bands, from DISCHARGE to OBITUARY, it means that it’s not so easy to pigeonhole us and that our sound is very personal, but definitely OLD SCHOOL! I think you need to listen to our music a lot of times before getting to its point, because there’s a lot in it. It’s not as catchy at first listening like MIDNIGHT for instance, there are riffs, tempo changes, different nuances, influences and moods. It’s not for the people who are used to listen to music superficially on a smartphone through youtube. In this sense we are totally regressive and old school. You know how it was in the past, especially in places where it wasn’t easy to get hold of music, even a dubbed tape was a treasure to be listened to hundreds and hundreds of times. Nowadays it’s all easy and free, but we prefer sticking to the old way.

“To No God Shall I Kneel” was out in 2019. Seems like you worked hard during the COVID times which resulted in this very awesome new album of yours, with so many old school ideas in it. Can you please tell us how much time it took you guys to get this “Viperface” completed and where was it recorded?
Thanks a lot for your words! I’m happy that you noticed that there’s a lot of ideas in our songs. By the time Covid stroke all the songs were already finished. We use to practice regularly, and it’s always a pleasure working on new stuff, that’s why we managed to release so much stuff in 13 years. So, after all the long breaks we just had to smooth the edges of the songs. Then we recorded them in July 2021 in our practice room with the help of our friend and engineer Niccolò Gallio. Then we had Viperface mastered at Toxic Basement Studio in Italy, and after the cover art was completed (by Velio Josto) we finally submitted it to Hells Headbangers that, being a big label, has its own amount of releases in line. We are very satisfied of every aspect of the album, music, sound, art.
Ok, writing and releasing songs is one thing. Promotion is another. How about “Viperface” in this context? Where are you going to promote this album apart from this two-day thrash nightmare festival with NIFELHEIM, TORR, BUNKER66? That’s gonna be a wild show, I am sure of it. Is BARBARIAN going to be active playing shows this year? Are you going to visit Poland too?
 Concerts are mandatory for us, we simply love them. It’s the physical side of metal, that’s when we can relate to other people, and playing abroad is the top of it. Of course there are some restrains, like our everyday jobs, that don’t help, but we try to gig as much as possible. We were supposed to tour Europe with Bunker 66, including a gig in Poland, but Covid disrupted our plans. Besides that amazing fest, we have a gig in Vienna and several others in Italy already planned. But it’s never enough, once Viperface is properly unleashed we’ll engage in having more shows, especially abroad, hopefully some festivals. We definitely hope to play in Poland as soon as possible!

When we talked last, you mentioned a 30-day tour in the USA. Did BARBARIAN promote to “To No God Shall I Kneel” during that tour? Inform us some more about that. What other bands did you play with? Any funny stores from the tour you would like to tell us about?
That happened in 2017, we promoted “Cult Of The Empty Grave” and our tour 7” with two unreleased songs recorded specially for the tour. It was great, we started in Chicago, then drove west, played down that coast, drove back to Denver first and then to the East Coast. It was a demanding tour, lots of car break-downs and unluck, but all the concerts were super. We sold all the merch we had, we even had to reprint shirts along the way, and finished those as well. Met a whole lot of old and new friends. We had the chance to play with Mortem, Funeral Nation, Nekrofilth, Bewitcher, Kommand, Knight Terror and more. Lots of funny stories to be told about the tour, like when the owner of a gas station somewhere in the midwest bought our CD thinking we were some kind of stars from Italy, or when in Pittsburgh we met Chase from Hells Headbangers who, at the end of the night clearly wanted to go home but we couldn’t stop talking to him because we were kinda drunk after a stressful day when we almost missed the show because of the usual car breakdown. Great guy, by the way.

I know for a fact you are an ardent fan of the Beksinski`s art. And your debut album from 2011 has his painting on its front cover. I will tell you that VADER from Poland tried to use this painting for one of their albums, too (Beksinski was still alive at that time) but they failed and they were not allowed to do so. I am sure BARBARIAN is one of the very few bands who managed to get the permission to use our master`s art for their front cover. Can you elaborate on this subject please?
I didn’t know about VADER, that’s very interesting. Yes, I’m totally bewitched by the art of Beksinski. I actually discovered him quite late, it was 2008 and I was in Dallas on tour with an old band of mine. I then saw this book “The Fantastic Art of Beksinski” on Morpheus Editions lying on a table in this guy’s house, picked it up… and my jaw fell on the ground! It’s not easy to say why I love his art. He wasn’t at peace with himself at all, and his art punches hard and deep, it’s more like feeling rather than understanding it. He used to say it’s senseless trying to explain a work of art, in fact he wasn’t used to give titles to his work. I completely second that. I feel like some sort of affinity, and seeing his works live, not on a book, it’s a groundbreaking experience for me. Before the show in Nowa Huta I saw four paintings in Chicago at the Polish Culture Institute and then I also paid a visit at the Museum of Sanok. I also had the chance to read Beksinski short stories, that may be not as fascinating as his paintings, especially the 70’s and 80’s ones, but are interesting nonetheless. His photography is also astounding. Top notch total artist! Back to Barbarian, at the start of the band I felt like Beksinski was my personal Giger, and wanted my own To Mega Therion. I got in touch with the Sanok Museum and also with Piotr Dmochowski, the owner of the painting (hmm, the guy didn’t sound too nice), and in the end, with the help of Lukas of Doomentia Records we got the permission from the Museum. Quite interesting because they don’t own the picture. Yes, Beksinski has been used and also abused a lot (see Evoken third album, that was horrible) on metal covers, I doubt all of those bands have been authorized.

Beside BARBARIAN, you also run a label. Please elaborate on what you plan to release in the future? I do enjoy this LA`s based NECROPHAGIA`s compilation album you released. How did you manage to get in touch with them?B
Yeah, that’s RIPPING STORM RECORDS. I’ve started it in 2013 after leaving Agipunk (2004-2013), while in the 90’s I run Tetanus. I like doing some archeology releasing old bands, but also some new bands that I like from time to time, it’s the same approach of yours I believe: pure pleasure. I’m currently in the processing of releasing all the old tapes 1987-1995 by SACRED CRUCIFIX, death/thrash prime movers from Finland, on both vinyl and Cd format. Then it will be time for the third instalment in the OUTRAGE (Germany) series, with their final 1987 demo before splitting. That’s old school in the vein of early SODOM. NECROPHAGIA LA are very cool, we have a friend in common, Luxi Lahtinen from Finland, a true old school die hard maniac. They’ve been very nice and they were very happy of our cooperation, too.

Yes, the blend of speed metal and devil is something really good! Why did you choose this particular style of metal music to play as a band? What caused BARBARIAN to follow this speed metal path?
As I said before, that’s the music I’ve grown up with, I like it so much that it was natural playing this kind of stuff. But your question is interesting, because that’s not the only kind of metal I’ve grown up with, I could have easily started a pure thrash metal band. An early Barbarian slogan was “Heavy Metal is Evil, Heavy Metal is Ugly, Heavy Metal is Threatening”. I guess the kind of metal we play is visceral, it draws immediately from the inside, and it’s coherent with our absolute despise of deities and religion, of any kind.

Well, tell us how BARBARIAN formed and whose idea was it to start the band?
That was my idea. I’ve been playing for years, but never had the chance to meet fellow musicians to share my love for old school metal with. Then it happened in 2009. I shared the idea with Steamroller (from Noia/Murk) and so, obsessed by Tom G.Warrior, Barbarian was born. There have a been a few changes in the line up during the years (Cardinal Sinner is the new entry on bass), I’ve always been the costant member, but we have always worked hard and constantly, thus releasing 5 albums, a split album and a 7” in 13 years, not bad. And we have always remained a power trio, like MOTORHEAD, VENOM, early KREATOR and SODOM and so on.
In hindsight, are you happy with your band? What do you want me to wish you in the future?
I’m super happy, it’s a reason to live for, Barbarian will never fold, they are too important for me. You can wish me hundreds of concerts and tours, I’ll work out the albums. Heavy Metal will never die!

If you could travel back in time, where would you like to go and to what times? What would you like to change or see?
Nice question. Metal-wise, I’m particularly fascinated by the early bay area thrash, would have been cool seing some early Exodus or Metallica gig. The book “Murder In The Front row” on this subject is mandatory. Other bands that I would have liked to see in their early times are definitely Celtic Frost, Death SS, Einstuerzende Neubauten, Black Flag, Sepultura, Laibach. I’d also like to see Beksinski at work, the 0,10 exhibition in Saint Petersburg in 1915, Bathory recording their first album, Kieslowski directing Film Blu, Françoise Hardy performing in the late 60’s.

Well, time to wrap up, all right. Anything to add for out OMMM readers? Feel free to do so. Thanks and take care.
Thank you for the opportunity of this interview, we are honoured to be on the pages of your magazine and to share our views with all the Polish readers. The flame of Old School Metal will burn forever.

Poprawiony (sobota, 03 września 2022 08:25)



I guess that we all agree that Dave Ingram is a legend and his harsh vocal style set the tone for hundreds of other death metal singers.

With Dave’s return Benediction came back stronger than ever and amazed everyone with an outstanding “Scriptures”. And how Dave feels about the band nowadays ? Let’s see…



Hi Dave ! Seems that nowadays there are very good times for Benediction - you came back, the new album is a masterpiece and the band is playing live pretty often (I’ve managed to see you twice within one month).  How does it feel to come back and have an immediate impact on the band’s career?
Hey mate, many thanks for the interview. I really appreciate it.  It’s been fantastic, it really has. The response has been phenomenal, right from the moment we released the news - a little over 3 years ago. We would have been doing a lot more in the last few years, but obviously the planet ground to a halt due to the pandemic. We were lucky that we got the album written and recorded just before it hit. I think the fans’ reaction was awesome, and expected…over the years I’ve received SO many questions from fans asking me to go back. Well now I did and all their brains melted. In a good way, obviously.
“Scriptures” sounds like a missing album from the very beginning of Benediction. Although it’s a great album I was wondering- was it hard to “travel back in time” and somehow revisit the older times?
The ‘Old School’ sound is exactly what we do. If it ain’t broke, don’t fix it! Why would we want to change that which we’re disciplined at? We won’t, and even when we did diverge from our standard it did not stray too far. For now we are embracing the OSDM we have always loved and will continue to write the same groove-laden metal in the future
As I said- I’ve seen you live twice, previously I’ve also seen Benediction with Dave Hunt. And all the gigs were amazing- haven’t you thought about recording a live album?
These days, live albums are not-so-cheap shots at making money for the label. Best way to experience the band live is to GO AND SEE THEM. Sure, not everyone can get to a gig, but in the modern age there’s live streaming and YouTube. You may be surprised at some of the high quality videos available out there. I’m not a fan of modern live albums, as they lack the ‘classic’ feel of the past (Black Sabbath’s “Live Evil”, Ozzy’s “Talk Of The Devil” for two examples) but I wouldn’t be averse to trying. 
After two iconic albums - “The Grand Leveller” (Benediction’s best in my opinion) and “Transcend the Rubicon'' you've taken a bit different direction with “The Dreams You Dread” - everything went slower, gloomier and it was a noticeable change within band’s style. Why was that?
As I said earlier, yes we strayed from our usual path, but we didn’t go too far away from it. Give the album another listen with that in mind. It’s still Benediction, just on a slightly different facet. And still OSDM, in my opinion.
Let’s talk about your episode in Bolt Thrower. You joined the band, when they already had a legendary status. How did you get there? Was it hard to jump into one of the biggest bands in death metal history?
I was asked to join some months after leaving Benediction, in 1998. The members of Bolt Thrower and myself were good friends so it was a logical choice and an easy assimilation. It is part of my life that I will also carry with me forever, with the memories of my tenure being such wonderful times.
I think that Down Among The Dead Man is a criminally underrated band. In one of the songs there are guests vocals recorded by your son Oliver. Haven’t you thought of creating a band with him one day?
Nowadays my son isn’t into much metal, especially the older death stuff. He sometimes likes some older rock tracks, and has his tastes elsewhere. The fact that he likes music is important to me, and I am happy with whichever genre lights his flame. As for DATDM we will hopefully begin work on a new album next year. Both myself and Rogga have many projects on the go so there is no rush at this time.
You’re obviously a science-fiction fan, with all those Dr Who inspirations and a couple of Star Wars-related jokes on stage of Mystic Festival. What in this genre is so special for you? What would you pick as the greatest sci-fi book ever written?
Science Fiction, just like music, is an escape. So why not combine the two (as I did in Down Among The Dead Men, along with songs in several other projects of mine, including the “Scriptures” album!) I absolutely LOVE Doctor Who - I’m sure my tattoos are testament to that - and I’m somewhat of a Star Trek and Star Wars fan also. The “Hello There!” moment onstage is to see if the audience all shout “GENERAL KENOBI!!” back at me. It hasn’t happened yet…maybe one day. The greatest Sci-Fi book ever written? That’s a tough one! I’d have to go with a list of a few…and then I’d be missing some out! But try these:
1. The Hitch-Hikers Guide to the Galaxy - Douglas Adams
2. 2001, A Space Odyssey - Sir Arthur C. Clarke
3. Do Androids Dream Of Electric Sheep - Philip K. Dick
4. Make Room, Make Room! - Harry Harrisson
5. The Time Machine - H.G. Wells
It might be a trivial question, but why did you decide to move to Denmark?
Back in 1995 when Benediction were touring with Death around Europe, we played a show in Copenhagen. I was introduced to a woman who became my girlfriend. We had a long distance relationship for 3 years, and then I decided to move to Denmark full time. It was the best thing I have ever done, as Denmark is a wonderful place to live. A very relaxed lifestyle…and the best beer in the world.
You recorded some guest vocals for 1914’s last album. Obviously, the situation for the guys there right now is not easy - do you think what war in Ukraine will end anytime soon? What outcome might we expect?
I stand with Ukraine on this, personally. Benediction have tried to keep politics out of the music all these years, so I won’t go too far into it, but my heart goes out to the Ukrainian people. The outcome will be bleak, whatever it is. Things in the world have changed.
Thanks for the interview. Last word goes to you- is there anything you’d like to tell our readers?
Thank you for the support all these years, myself and the band are in awe of the fans out there! THANK YOU!! Stay true to the scene and the scene will stay true to you. Thanks for the interview, it has been awesome!
Here’s a list of current albums on my turntable:
1. Voivod - Nothingface
2. Stoner - Totally…
3. Crypta - Echoes of the Soul
4. Brant Bjork and the Bros - Somera Sol
5. David Bowie - Hunky Dory
Interview Wojciech Michalak 
Foto Necronosferatus


Poprawiony (piątek, 05 sierpnia 2022 21:07)


SACRIVERSUM Interview 2022


Polish SACRIVERSUM, death/thrash metal formation from Łódź is back! On the thirtieth anniversary of the band's founding, which suspended their activities in 2005, a re-edition of their debut album "The Shadow of the Golden Fire" will be released on CD. Its premiere will be combined with a reactivation concert. The event will take place on October 22 (Saturday) 2022 in Klubopiwiarnia "Warkot" at ul. Narutowicza 7/9 in Łódź.

The album will be released by Thrashing Madness Prod., while the promoter will be Old Shool Metal Maniac Mag. As the co-founder, vocalist and bassist of Sacriversum, Remigiusz "Remo" Mielczarek, says, the intention to re-release the debut album gave a strong impulse to reactivate the band. - When Leszek, the boss of Thrashing Madness, called me with a proposal to re-release this album, the topic of reactivating the band immediately appeared, exactly on the thirtieth anniversary of its founding - Remo explains.

After releasing the demo "Dreams of Destiny" (Carnage Rec.) in 1992 and then the first album "The Shadow of the Golden Fire" (Baron Rec.) two years later, SACRIVERSUM began to undergo a period of intense stylistic and composition changes. Each of the following four albums was recorded with two vocal lines: the death metal growling was combined with a female, clear voice. This is how many bands played then, and the decade of the nineties was considered the time of the popularity of gothic metal. - We were looking for greater possibilities of expression then, composing with more keys and developing double vocal lines. In fact, many bands went that way: for example The Gathering, Theater of Tragedy, Orphanage, Within Temptation or our native Sirrah - says Remo. - Therefore, it has become inevitable to separate our fans into two groups: supporters of old death / thrash style and those who prefered a new, slightly less aggressive face of the band. Now there is the idea of ​​reactivating SACRIVERSUM back to the roots of the formation. - Before the pandemic, we intended to revive a band close to the late period - Remo explains. - Today, however, we want to recall the spirit of the early years. At the reactivation concert, we will only play songs from the demo and the first album. There will be no female vocals, we will be reminded in our home city of Lodz to old homies who remember our first days. On the thirtieth anniversary of the uprising, it is mainly of a sentimental dimension. Krzysztof "Baran" Baranowicz, keyboardist, co-composer of the repertoire from the debut album, returned to the band. Other musicians from that period could not be gathered. - The drummer, Michał "Ślepy" Ślebocki, unfortunately, is no longer alive. The guitarist Herszt could not take part in the reactivation for important reasons. Fortunately, we have a worthy replacement for both of them! - Remo rejoices. Krystian "MacKozer" Kozerawski, the guitarist of SACRIVERSUM in the last years of the band, whose compositions can be heard on the albums "Mozartia" and "Sigma Draconis", will play the guitar. A young, very talented musician from Łódź, Janek Traciński, will play the drums.

On Saturday, October 22, 2022, the band invites everyone - older and younger - fans of the band to the SACRIVERSUM reactivation concert, combined with the release (for the first time on a Polish CD) of their debut album. The invited special guests will also appear and their names are going to be reveil continously.

Sacriversum c/o : Remo Mielczarek, tel. 517 443 912, Adres poczty elektronicznej jest chroniony przed robotami spamującymi. W przeglądarce musi być włączona obsługa JavaScript, żeby go zobaczyć.


  1. Before we go to the essence of this interview, let me ask you how SACRIVERSUM came into being - what was your starting point to create your own band? How did you meet each other?

- Those were beautiful times. Exactly thirty years ago, in 1992. We were young, strong, still had long hair and could swing our right wrists quickly, buahahahahaha! Imagine three students terribly excited by the desire to play in a metal band. Herszt and Slepy had such a local formation called DEAD EVIL, which began to fall apart. For me, the short, only three-month apprenticeship period at PANDEMONIUM ended. After another fat party with TV sets being blown through hotel windows, I decided that it was not for me. To this day, I don't understand why, hahaha! Anyway, Szymon came back to PANDS, and I got to grips with Herszt and Blind, who told me to play bass and also assigned the function of a guttural. We wanted to play death thrash metal because they both were more like thrash, and I was definitely death, though. The stylistic gathering at the very source already became a determinant of SACRIVERSUM's activities: in this band, people with sometimes even extreme musical preferences, who added something to the overall style, always use to met later. The three of us also started to combine with the atmosphere, because playing everything in the speed version, although very pleasant, also turned out to be monotonous. In contrast, we wanted to slow down a bit sometimes. The first demo of "Dreams of Destiny" was recorded by the three of us, but soon the keyboard player Baran joined us - an extremely musical man, bluesman and rocker, but with great respect for metal issues.

  1. Your beginnings fall on the period when death metal celebrated its triumphs, but your music, although it did not protect itself from significant influences of this genre, does not quite fit into this convention, if only because of the use of keyboard instruments, which in that time few bands performing death metal used, and if it happened, like in Nocturnus, it was treated as a complement to the whole, musical background, not how did you have an instrument on an equal footing with others?

- Indeed, for us, the adoption of the keyboard player came not only from the need for originality or to be a bit different from everyone else - but also from the natural desire to seek other means of expression. It was not a struggle for originality by force, but the conviction that the keyboard instrument would broaden our range of musical influence. Our music, quite varied in tempo, where fast fragments intertwined with slowdowns, left a lot of space for the keys as an instrument straight from other musical worlds. Baran entered this space very boldly, not worrying at all that it is not appropriate to use a keyboard in metal music, but unceremoniously throw in his classic or blues inserts there, haha! To this day, he has been left with this courage, and we liked the fact that we are not some "headless riders", but our friend expands the offer we have for the audience with his view of music... A risky action, but very attractive to the musicians themselves. And giving a lot of satisfaction. But it is also known that NOCTURNUS used the keys in a completely different way, being the originality accepted by the fans at the time - for the atmosphere. Such open genre bands such as OPETH or KATATONIA only later began to experiment with the style. We were definitely one of the first such weirdos.

  1. In your music, especially on "The Shadow of the Golden Fire" I hear a lot of Therion influences, especially from the first three albums, is that a coincidence? Or did this band have any influence on your work? What then inspired you to play such music?

- Of course, also the early THERION, although you will probably be surprised that more certainly "Of Darkness ..." and "Beyond Sanctorum" than the next "... Ho Drakon ...", where there are more pronounced doom and goth influences. Such raw, death, Swedish music, as presented on their first albums back then: ENTOMBED, GRAVE, DISMEMBER, UNLEASHED, TIAMAT, THERION or - apart from Sweden - ASPHYX or AUTOPSY, inspired me a lot at that time. And the guys had of course their: METALLICA, SLAYER, then PANTERA later on. Somewhere, all these fascinations, mixed together, can be heard on our first recordings. I always say that if everyone in a team has the opportunity to show their temperament and passion, only beneficial effects can come out of it.

  1. Let's go back for a moment to your first demo "Dreams of Destiny" recorded in Studio-8 in Gdansk within 2 days - how do you recall this session, can you tell us something more about it?

- Well, it was a real opportunity for us at the time. As a bass player of PANDEMONIUM I played, among others, a concert in Gdynia, where I met Wojtek Kita, a very nice man, a music promoter under the Warrior Prod. banner. I do not know what is happening with him today, but then he helped many bands, from the Łódź underground and not only ... Thanks to a two-day, quick session in Krzysiek Maszota's studio in Obłuże, district of Gdynia, we managed to record this demo for a small amount of money. It was only four intro songs, but I remember we were so excited to have a demo that we were simply burned! After all, we had our repertoire ready in a few weeks, and then everything happened very quickly. We "released" this cassette ourselves, with a photocopied insert - and of course Mariusz Kmiołek also received such a copy, asking for a review in Thrashem'All Magazine. A moment later, Mariusz offered us to re-release this material, this time under the flag of Carnage Rec. As if we would then fucking touch the hell itself, hahahahahah! In the first year of operation, we already had a chance to stand close to the most important teams in the country: VADER, ARMAGEDON, PANDEMONIUM, BETRAYER, CHRIST AGONY... I remember how much excited we went with Slepy to Hala Mirowska in Warsaw to pick up our "original copies" in the shop from Mariusz and Krzysiek from PASCAL. As fans and readers of zines, we quickly became interview heroes in almost every such underground magazine. The touring has also started. Another world simply, hehehe...

  1. Before Carnage Rec. released "Dreams of Destiny", you released this material on your own in a limited edition of 100 cassettes - how did you get to the label of Mariusz Kmiołek, was anyone else besides Carnage interested in releasing Sacriversum?

- Well, there were a few of these proposals. Please forgive me, but I don't remember the exact names of the people who contacted us about this at the time. We chose Mariusz's offer for an obvious reason: Carnage, after the release of "Morbid Reich" of VADER or "Devilri" of PANDEMONIUM, was already a cult label in the Polish underground, widely recognized as a top. On the other hand, there was, of course, Metal Mind Production, but everyone knew that the bands that interacted with them were not treated fairly. Such matters have been passed on from word of mouth to mouth from the moment KAT took legal action against the MMP. In those years (we're talking about 1992), Carnage offered the only publishing offer of a comparable quality - and we were excited about the fact that we got it at all. I do not regret it to this day, Mariusz Kmiołek always fulfilled all arrangements in relation to SACRIVERSUM. Relationships were fair. Another thing is that soon there were bands talking out loud about their problems with Carnage Rec., but I have to emphasize once again that we did not experience such problems. Maybe because we didn't have too high expectations towards the label then and we agreed on the conditions of releasing the material, which I would boldly call today as mediocre. But these conditions were respected. That's how I remember it today. When assessing your own past and experiences, it is worth having the necessary dose of humility.

  1. How was "Dreams of Destiny" received in the underground then? Have you been involved in tape trading? Did you exchange your recordings with other bands then?

- As a band of the so-called underground, we certainly did not advance to the top league, in which the above-mentioned Carnage "locomotives" played, as well as the MMP bands, and KAT - which, as a precursor of the entire metal scene in Poland, first had its own separate audience, and secondly after parting ways with Metal Mind, he himself dealt with publishing his own albums, selecting only distributors. We've played some concerts, but I can't talk about any audience’s madness at the "DoD" stage. This first, own circulation, of course, was basically all intended for exchanges and gifts. Our situation was improved only by the release in 1994 of the first full-minute cassette, "The Shadow of the Golden Fire" by Baron Rec. I owe this fact to Szymon from TENEBRIS, who somehow then quit playing bass in PANDEMONIUM, focusing on developing his own way creative. I remember the enthusiasm with which Szymon talked about the opportunity for them to meet Janusz Baron from Piekary Śląskie and enter the publishing deal with him. Let us remember that we are talking about the years when the provisions of the Copyright Act were not yet in force in Poland. "Publishers" such as Baron traveled to Germany, brought CDs from there - for example, Madonna, Michael Jackson - and then, by the thousands, beat "licensed" tapes in the rooms filled with tape recorders at night, throwing them onto the domestic market. Everywhere, to music stores, kiosks, even disco stalls. They earned massive amount of money, they didn't know what to do with them. And they sponsored recording sessions with local bands, probably a bit like money laundering. Janusz focused on helping and supporting metal bands. We slipped into it following TENEBRIS's footsteps, and with us the next ones: TARANIS, MORDOR, MASTIPHAL, HOLY DEATH (you know something about that, hahaha!), MORTAL SLAUGHTER and others ... Then even such big names as PANDEMONIUM and VADER found better conditions with the Baron Rec. than with other publishers, for example Peter of VADER released "Sothis" there, an EP, immediately on cassette and CD, if I remember correctly. It was an underground paradise. Happiness lasted until the copyright law came into force. Baron collapsed overnight, as did several of his colleagues in business. However, we also took advantage of the possibility of a really good concert promotion, because Janusz paid us to play during Dziubiński's MMP Rec. events - twice, in Chorzów and Warsaw, Poland - as a support for TIAMAT and SENTENCED. At that time, it was an epochal event for a medium-sized underground band like ours. Johan Edlund was at the stage of promoting "Wildhoney", AMORPHIS was to play this tour (which earlier, probably in Germany, was forced to leave the bus by the other two bands - probably because their rapping vocal, Patsi, was considered then to be not very true, hahaha!). And we, who play twice for a thousand-strong audience, all chanting our name, both in the Premiere Club in Chorzów (now defunct) and in Warsaw's club called Stodoła. I will not forget it for the rest of my life. Because although ten years later, as a band from the MMP catalog, at different times and with a different line-up, we played again before TIAMAT supporting their concerts in Poland, the atmosphere of both events cannot be compared at all. From this first mini-tour, I have such a funny memory that after the transfer from Silesia to Warsaw, at the Stodoła club, and before the concert, we sat down with SENTENCED for a beer nearby - and we talked about who knew what words in their languages. It is known that Taneli Jarva was developing his IMPALED NAZARENE in parallel at that time. Well, we said to them: "Listen, we only know three words in Finnish: Suomi Finland and Perkele." They burst out laughing, because we accidentally combined the two most pathetic words, meaning the holy motherland, with the greatest blasphemy. Something like: "Republic, fucking, Poland". I am not sure if the title of the third Impaled album came from this conversation, or if we happened to come across their own idea of ​​such a word cluster, which they had earlier. These concerts were in the winter of early 1995 (January) and their album was officially released, according to today's sources, a few months earlier (October 94). It is difficult for me to determine if they managed to give it the title at the last minute after drinking with us.

  1. Two years after the release of your first demo, your second material "The Shadow of the Golden Fire" was released. It was originally released by Baron Rec., It is much better produced and arranged stuff and you can see that you have made a lot of progress in your music and that these two years were a very busy period for you ...

- Musically, it was just like you say. For us, then students dependent on their parents, there were no obstacles such as work or kids. We could basically spend all our time playing, and we did it with enthusiasm. Instead of exploring scientific reading, we only did some basic things for classes, leaving everything for the duration of the examination session. We played, everyone alone at home and then in the rehearsal room, all day long. Hence the good pace of creating the material for "The Shadow ..." and a veeery cool atmosphere of excitement, which can be heard in this music also today. Baran, who then appeared in the band, had many other musical obligations (he is still a sought-after blues and rock keyboard player, he was still playing with someone somewhere then) - but it did not change any percent of his involvement in SACRIVERSUM. He always came to the rehearsal and our every concert, even if he was barely rolling the pavement and the keyboards followed him, buahahahahahahaahahaha! We all had it, because I forgot to say that we had a very social and bottle-like atmosphere inside the band then. Such there, the beginnings of rock and roll in Poland. We were known in the underground for partying behind the scenes, although it was always very cheerful, without any aggression or material losses. We were levellers, but polite ones.

  1. The cassette edition of "The Shadow of the Golden Fire" by Baron Rec. is not the only one that was released on the market at that time?

- This is a story from a bit later times. Because for many years we were looking forward to releasing this material on CD. It became possible only after concluding a publishing contract with the German label Serenades Rec. But first of all: when more rumours about us has been heard after releasing "The Shadow…" on cassette and concerts with Tiamat, the second album - "Soteria" - we already recorded for Morbid Noizz Prod. It was also a time of profound personal and stylistic changes in the band, and the adoption of a woman as a vocal. But the Germans liked Soteria very much, so they bought a license to publish it outside Poland, for other markets. Their range was not very great, but after we broke off relations with Paweł Kamiński, the boss of Morbid Noizz, we signed a contract with these Germans to release three albums. Licensed "Soteria" was the first of them, and then it was time for "Beckettia" (released with great problems due to the financial failure of the label) and "The Shadow ..." - because our German partners decided that if you had to fulfill the contract and there is no money for the next recording session, you can re-edit old stuff. Ordnung muss sein. And this is the genesis of the creation of "The Shadow of the Golden Fire - Early Days", which is our first full –minute recording enriched with material from the demo "Dreams of Destiny", plus two versions of songs from this tape recorded again during the session of "The Shadow…". It was in 2001, the re-edition album was released in the West in CD format - but not in Poland, where this version was difficult to access. Today we make up for it, because thanks to Old School Metal Maniac and Thrashing Madness Prod. it has just re-launched, for the first time on the domestic market. It all is a bit confusing, but I'm glad that thanks to this situation, however, SACRIVERSUM got a very strong impulse to get up, exactly 30 years after the band was founded. And yet 17 years ago (2005) we suspended our activities.

  1. The year 1994 is a time when the Internet was only slowly beginning to develop, so it was not a significant promotional tool as it is now; concerts were the best way to promote a young band back then - what was it like for you back then? Did you play concerts often then?

- Yes, but it wasn't that we suddenly had to drop everything, because there were a tremendous amount of proposals. As I mentioned, around 1995 we started to think about changing the stylistic concept. But we must have looked a bit, unknowingly, at TIAMAT and its evolution. The changes took place gradually. Baran and Herszt were gone, then Slepy as well. I was left alone from the founding group, and other musicians used to come and go to the band. Everyone is an equally important link for me today, everyone added something from each other and pushed this band further. But the transformation of the style into more doom / gothic did not make our task easier in terms of position stability on the stage. Fans, the more radical ones, started to turn away from us. New arrivals were coming along with the release of "Soteria" - but the split in the audience group had become a fact. Years passed, things were different, since 2002 we and MacKozer (who today participates in the band's reactivation) also played in ARTROSIS, thanks to which SACRIVERSUM also got a bit of a kick up, signed another contract, this time with MMP. But three years later the momentum faded, personal matters led to the suspension of the team. Fortunately, today we meet again and - as part of the fight against the late midlife crisis - we are experiencing a second youth.

  1. Which of your concerts stuck in your memory in a special way? I know that in your concert history there have been performances of incl. alongside Tiamat, Napalm Death, then it seemed like an extraordinary ennoblement for you, right?

- Yes, the band was lucky to participate exceptionally pleasant concert events. These early performances supporting TIAMAT, as I wrote about here, were revolutionary, but there was also a lot of interesting going on after that. In fact, in 2001 we played in Poznań's Eskulap Club before NAPALM DEATH, then BEHEMOTH, SCEPTIC, HORRORSCOPE, ANIMA DAMNATA and AD PATRES also performed. But we didn't get very warmly received, maybe because „napalm” fans don't really feel much love for metal goth genre, haha! More was happening behind really underground stages, but I don't have too many specific memories of these concerts, because they are drowning in hectoliters of drunk drugs, haha! We had a good time at events in Remont Club, Warsaw (Vox Mortis Festival), or at the legendary Smash Fest 2002, including GRAVE or BLOOD RED THRONE, where the wind blew the stage and torn tents. There was a lot of gigs, we came back from all over the place full of extraordinary experiences. Sometimes you can find archival reports on the Internet, much more reliable today than my lame memories of today.

  1. The first half of the 90’s in Poland saw several major underground festivals such as S'thrash'ydło, Shark Attack, Thrash Camp, Drrrama - did you go to these events?

- Well, no. We did not make it. All these cult festivals you mentioned prospered well in the late eighties and in the years when we started publishing our first materials or performing more widely (i.e. from 92) we were dealing with the decline of these events. They started to collapse one by one, which I regret to this day. As a fan, I also didn't manage to participate in any of them. At that time, you heard a lot about the trouble that aggressive crew members - for example the famous Szczecin - stirred up at these events or before them, commuting by trains. After that, the organizers for sure got into trouble because of this. The change of the political system also did its job, the economic changes entering our homeland did not always allow the organizers to bear the costs of the project (in comunism this funding probably came from various "cultural institutions", and in the new times you had to provide it yourself, without having sufficient funds to do so. ). But these festivals played a vital role in the development of the scene, not only in Poland. Many years later, when I met the boys from SAMAEL, they told me what extremes it was for them when the two brothers (Vorph and Xytras) traveled to Ciechanów by train. From Switzerland to S'thrahydło, to the castle. They traveled by the Polish railway from the border, through Silesia. As they saw those smoking chimneys and mines, while they are rather unbelievers, on the way they said, “Mon Dieu!”. Hahahahaha! Well, let's make an appointment, it was an ecological massacre, then the Swiss, seeing this view through the window, could really be shocked. But to this day, they say in interviews that these visits to Poland and the insane reactions of our fans for "Into the Pentagram" made them feel strongly about their further activity, believed in themselves and realized that their further action makes sense. That was the strength back then, and the bands shared information from mouth to mouth all over Europe about the reaction of Polish maniacs at local concerts. It came from those first underground festivals. And SACRIVERSUM, however, was a bit late for this time, because the performances at early national festivals included bands older than us and those considered at the time to be at the forefront of the Polish scene. It's a pity these festivals are not dwelling yet. Today I am in good contact with the guys who organized S'thrash’ydlo just because my brother-in-law lives with his family in Ciechanów, and I am a frequent guest there. Organizing such events today is extremely expensive - and in the absence of strong sponsors, simply unprofitable. Nobody will risk private financial resources, because attendance is always an unknown and the cost is always to pay. The costs are immediately payable before the first band even hits the stage. This is the main reason why we no longer have these legendary names on the map of Polish festivals. Fortunately, there are more. For many years, I have had the honor to collaborate on subsequent editions of the ever more beautifully developing metal event: Summer Dying Loud in Aleksandrów Łódzki. This fest was possible thanks to the financial help of the City, and the director and originator of SDL, Tomasz Barszcz, always takes a few steps forward at each subsequent edition of this event. This is already one of the best metal festivals in the country and will soon be one of the best metal festivals in Europe. I cordially invite everyone to come to Aleksandrów every first weekend of September.

  1. This year's re-release of your first two materials in the CD version coincided with your reactivation and the concert scheduled for the premiere. Why did you wait so long with both? What can I wish at the end of this SACRIVERSUM interview? Thank you very much for the interview, if you want to say something to your fans, go ahead ...

- We wanted to reactivate the band several times before. I say "we", mainly bearing in mind MacKozer, who always said that as long as Remo is alive, SACRIVERSUM will exist, hehe ... However, personnel issues have always stood in the way. Years later, and seventeen of them have passed since the band was suspended, the line-up was always burdened with problems. There was always someone missing. Recently, just before the pandemic, we made an attempt to reactivate the band in a line-up close to the last years. But the virus, and with it the necessity to suspend rehearsals, have ruined our work again. I was already sure that if fate wanted it so, it would be fine. And then suddenly Leszek Wojnicz appeared, that is you, hahaha! And there was a proposal to re-release the first album by Thrashing Madness / Old School Metal Maniac. It coincided with the 30th anniversary of SACRIVERSUM, to be exact, so I took it as a sign again - and decided to take that train so it wouldn't leave this time too. Maybe this is the last chance for us to get this band back on its feet. We don't get younger… I knew right away that MacKozer had to play the guitar after reactivation, because for many years he was the only man who somehow kept this "flame" so that it would not die out until the end. However, it was also necessary to address the old comrades who contributed to our first album. Slepy, original drummer, unfortunately is no longer alive. Herszt, the guitarist, for various personal reasons could not join us, but, so to speak, gave us his blessing and full support. As expected, I was not disappointed at Baran, although Krzysztof Baranowicz is one of the musicians who are very busy and in demand. But he never refused to help me when I turned to him, and it has happened now. He remembered the old sounds quickly. We only needed a drummer to be happy and the elite of Łódź drummers helped us a lot in this matter. We asked a few if they would join. I asked for help, among others to Gerard Klawe, but his duties at Farben Lehre unfortunately tied his hands. However, Żeruś is our brother, so he quickly offered us Janek Traciński, one of the young drummers in Łódź, fully aware that he was putting a diamond in our hands. During the first rehearsal, our shoes fell off as soon as we heard what Janek was doing behind the drums. It took me four hours of playing to get my right wrist back to the speed it used to be thirty years ago, hahaha! But now we are full of optimism, because the so-called fresh blood was essential in the band, especially when it comes to the drum, i.e. the drive. Now all the pieces of our puzzle are finally completed and in place. Thus, we return to the early, root face of the band. We invite everyone to the reactivation concert, 22/10/2022 at Klubopiwiarnia Warkot Club in Łódź, Poland, Narutowicza Rd. 7/9. Follow the event on FB. All the details are there. It will be a concert for the group of our first fans, or rather buddies and friends from those years, even before the "gothic" face of the band appeared. For today, we are not planning to return to this face, because the wildness and power of the old songs now played during rehearsals make us realize how much potential they still have in them. We got really into the early stuff and we'll play it all at the show, I think: complete songs from "The Shadow ..." and certainly some of the earlier stuff. Okay, maybe at least one track from later albums, so that the exception would prove the rule, haha! Anyway, we apologize the fans of the late SACRIVERSUM: maybe someday, in the future, we will broaden the concert repertoire. However, we do not plan to return the woman singer to the line-up, at least not permanently. Thank you very much to you, Lech, for the opportunity to talk and for this whole reviving idea - we would like to cordially invite everyone to our reactivation. This is a very important moment, so we would like to have with us those who grew up musically with us in those years. And the younger ones, whenever they feel like it, are very welcome. We haven't gotten old enough yet not to burn fire on the stage haha! What to wish us? Only persistence. Today there are different times and completely different priorities: health, work, kids, fighting with living problems. But we are not going to give up once the machine has been restarted. What do we wish you!

Poprawiony (sobota, 23 lipca 2022 09:38)